A compiled screeningprogram by:
Artist: Ute Janssen. Filmmaker: Sonja
Umstätter.
DVD-programing: Meike
von Klinkowström.
DVD no.1a+1b.
Duration: 145:46 min.
Experimental shortcuts by:
Heyeon Park
GROSSES GNU.
Duration: 1:36 min. 2006.
Zlata Vodanovic
MUTTER NÄHT (Mother sews).
Duration: 8:00 min. 2006.
The soft light of a bulb lights up
my mother when sewing a white
curtain material at our house
entrance in Croatia. One pictorial
and at the same time nostalgically
working scene. Mother
sewing – symbol for the love and
caring of an mother.
Hochschule für bildende Künste Hamburg.
Jacob Perko
POLEN (Poland).
Duration: 1:37 min. 2006.
VIDEO SUITE NR. 1.
Duration: 7:11 min. 2007.
Video suite in which in three
chapters the course of a wedding
is shown. The cut is based on
piano compositions.
Cordula
Dietz
MARIA VS ELISABETH.
Duration: 8 min. 2005.
Two women compete to the last
duel.
NIGHTMARE ON ELMSTREET.
Duration: 2:36. 2007.
The original movie, but all pictures
with people and other living
creatures are missing, now lasting
no longer than 2 minutes and
36 seconds.
Shona
Donaldson
MARIA VS ELISABETH.
Duration: 8 min. 2005.
NIGHTMARE ON ELMSTREET.
Duration: 2:36 min. 2007.
PLATFORM ZERO.
Duration: 7:20 min. 2007.
ANIMATION MOKSHA.
Duration: 1:00 min. 2007.
Mission accomplished – return to
base. Based loosly around the
story of Rip Van Winkle an astronaut
tries to come to terms with
a changed planet. He struggles
with his loss of recognition, where
are the cheering crowds; what
does success mean when there is
no one to share it with? Picking
through the debris maybe there is
a clue to what happened. There
are traces of life maybe there is
still time to play in the light.
Lutz Meyer &
Alex Strehl
ZUR ERINERUNG
Loop projektion stand alone. Presentation
at The Spinning Mills.
We both come from painting, so
the way we made this movie is
very close to painting. Therefore
the pictures and their compositions
are very important for us. Our little
movie is about a landscape, built
as a model. It is a long silent
view above this landscape which
seems to be a post war painting
on the one hand and on the other
hand it also could be a real
landscape, but it is not decided.
Our work is about this uncertainty
on the edge of reality and art.
Janine Eggert +
Philipp Ricklefs
DER RUF.
Duration: 6:28 min. 2006.
Dragana
Latinowitch
THE LAST MINUTE OF FREEDOM.
Duration: 1:10 min. 2006.
Michael
Steinhäuser
DAS LEBEN IN DER
PROKANJOW-SEE.
Duration: 9:48 min. 16:9, pal, colour,
stereo. 2007.
This movie is ment to be a scientific
teaching film about unknown
life forms in the unreachable
depths of the Russian Prokanjow
Sea.
Dario
Aguirre
MEIN LETZTER TAG
ALS FIKTIVER MENSCH.
Duration: 10:25. 2005.
Are integration attempts still possible
in our times? How would you
react if you get a fiction certificate?
Dario Aguirre raises a social
question in terms of integration
in his 10 minutes short film.
Kati Duwe
ST PAULI HAMBURG.
Duration: 13 min. 2005.
Anna Girs
ULAVI
DURATION: 5 min.16 mm. 2000.
You are visited by a thought.
It is connected to another
thought, beyond time and
spaces; gets intense, dramatic
sometimes, then it flies away
and probably will never again be
thought of.
Timo Schierhorn
EKALAKA
DV PAL, Colour, stereo, DVD Loop,
Duration: 15 min. German / English
(English Subtitles).
The shortfilm Ekalaka is one of
my first autobiographical works.
It is documentary about an
exchange student abroad in a
small town somewhere in the
Midwest of America. The film
combines video letters sent
back home with recorded audio
tapes from his German grandfather.
Searching for the American
Dream the boy finds himself
at the turning-point between
anywhere and nowhere: Ekalaka.
Marte Kiessling
SCREEEEETCH.
Duration 2:03 min. 2005.
A rhythm-film, split-screen,
filmed in my living room and
kitchen. A short story about the
rhythm of daily live.
Simone Kühn
SESSEL.
Duration: 6 min. 2006.
Tina Erösowa
DES UNSINNES GESCHMACK.
Duration: 4:11 min. 2007.
Carl Gross
NAAN SIMRAN.
DV-Pal Colour. Duration: ca. 30 min.
The film is about religios ritual of
the indian sikhs. In wich by the
narration it clears out where the
ritual takes place.
Mette Bartholin
THING I COULD DO IF I GAVE UP
MAKING ARTt. Duration: 2:3 min. 2006.
Wolfgang Fütterer
HOMMAGE AN RAMONA.
Duration: 4:43. 2007.
Der Künstler, Wolfgang Fütterer,
bezeichnet sich selbst als eine
Art Verhaltensforscher des Alltags.
In seinen Videoinstallationen
kommt es zu einer Verschmelzung
von persönlichen Erfahrungen und
gesammelten Beobachtungen. Die
Performative Aneignung erlebter
Verhaltensweisen vollzieht sich
entweder als dokumentierte Aktion
im öffentlichen Raum oder auch
als inszenierte Studioproduktion.
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